Killzone has always flirted and later actively courted an early-20th century sort of nihilism with regards to humanity's predilections to endless, aimless war. But more often than not, they're buried in muddy shades of grey. Somewhere in all of this, there must have been a story worth telling, and like shafts of light in a ruined building, these bits occasionally shine through. There are also strong echoes of the post-WWII socialist/capitalist divide of East and West Germany during the '70s in the sorts of maneuvering and secret police actions of both the ISA and the Helghast. There's some grasping in Killzone: Shadow Fall's premise toward higher social commentary and exploration of real world political drama, particularly the Palestinian-Israeli conflict.
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